Nathan Leigh has designed sound and composed original music for New York Theatre Workshop (Nat Turner In Jerusalem), Red Bull Theatre (The Duchess of Malfi), Wellfleet Harbor Actors Theatre, American Repertory Theatre, Connecticut Repertory Theatre, The Debate Society (Gothamist: Best Sound Design 2007 for The Eaten Heart), Stoneham Theatre (IRNE Best Sound Design 2009 for Strangers On A Train), Central Square Theatre (IRNE Best Sound Design 2010 for The Hound of the Baskervilles, Elliot Norton Best Production 2016 for The Convert), and countless others. With Kyle Jarrow, Nathan co-created the musicals Big Money (WTF Boris Segall Fellowship 2008) and The Consequences (World Premiere 2012 at WHAT). With Jason Slavick and the Liars and Believers ensemble, Nathan Leigh composed scores for adaptations of Song of Songs and Icarus. With Megan Sass, he is the composer and lyricist for The Mad Scientist’s Guide to Romance, Robots and Soul-Crushing Loneliness (NYC Fringe 2015). Nathan’s most recent solo album is Ordinary Eternal Machinery.