{"id":11735,"date":"2017-08-17T15:17:59","date_gmt":"2017-08-17T15:17:59","guid":{"rendered":"http:\/\/www.bretadamsltd.net\/content\/"},"modified":"2022-02-01T22:10:40","modified_gmt":"2022-02-01T22:10:40","slug":"lee-blessing","status":"publish","type":"page","link":"https:\/\/www.bretadamsltd.net\/content\/client\/plays\/lee-blessing\/","title":{"rendered":"Lee Blessing"},"content":{"rendered":"<p><strong>Plays Written by Lee Blessing<\/strong><\/p>\n<p>THE FAMILY LINE<br \/>\nMINNEAPOLIS \/ ST. PAUL<\/p>\n<p><strong>Synopses:<\/strong><\/p>\n<p>The Family Line &#8211; \u00a0Finn\u2019s mother has died suddenly of COVID. He\u2019s a mixed-race 15-year-old who must now be transported to his estranged father. No one dares fly, so Finn\u2019s white grandfather Jonah (whom he\u2019s never met) is tasked with making the nonstop cross-country drive. They spend 24 hours together, each getting to know a perfect stranger at the most imperfect time. Will they find common ground? Will they get there at all? Are they a family in name only, or something more?<\/p>\n<p>Minneapolis \/ St. Paul \u2013 Randall, a successful mystery writer with a wife and teenaged daughter, lives in Minneapolis. Mandy, a bit of a mystery with a husband and a troublesome, drug-addicted stepson, lives in St. Paul. Randall and Mandy are the same person. This gender-bending tale of bigamy chronicles the struggle of Randall\/Mandy\u2019s searching for him\/herself without destroying the lives of those who matter most. We flow back and forth in time as well as back and forth between characters. We learn the whys and especially the hows of a highly specific life and everyone it affects.<\/p>\n<p><strong>Bio:<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Broadway and London&#8217;s West End: <\/span><b><i>A Walk in the Woods<\/i><\/b><span style=\"font-weight: 400;\"> (also seen on PBS\u2019s<\/span> <span style=\"font-weight: 400;\">\u201cAmerican Playhouse\u201d), most recently revived by Keen Company on Theatre Row.\u00a0 Off-Broadway:<\/span> <b><i>A Body of Water, When We Go Upon the Sea<\/i><\/b><span style=\"font-weight: 400;\">,<\/span> <b><i>Going to St. Ives<\/i><\/b><span style=\"font-weight: 400;\">, (Outer Critics Circle Award, Best Play, OBIE for ensemble performance); <\/span><b><i>Thief River<\/i><\/b><span style=\"font-weight: 400;\"> (Drama Desk nomination, Best Play); <\/span><b><i>Cobb<\/i><\/b><span style=\"font-weight: 400;\"> (Drama Desk award, best ensemble); <\/span><b><i>Chesapeake<\/i><\/b><span style=\"font-weight: 400;\">, <\/span><b><i>Eleemosynary<\/i><\/b> <span style=\"font-weight: 400;\">and <\/span><b><i>Down the Road<\/i><\/b><span style=\"font-weight: 400;\">.\u00a0 Signature Theatre season: <\/span><b><i>Fortinbras<\/i><\/b><span style=\"font-weight: 400;\">, <\/span><b><i>Lake Street Extension<\/i><\/b><span style=\"font-weight: 400;\">, <\/span><b><i>Two Rooms<\/i><\/b><span style=\"font-weight: 400;\"> and the world premiere of <\/span><b><i>Patient A<\/i><\/b><span style=\"font-weight: 400;\">.\u00a0 Notable premieres: <\/span><b><i>For the Loyal<\/i><\/b><span style=\"font-weight: 400;\">, Illusion Theater;<\/span> <b><i>A User\u2019s Guide to Hell, Featuring Bernard Madoff<\/i><\/b><span style=\"font-weight: 400;\">; produced by Project Y at the Atlantic Theatre; <\/span><b><i>A View of the Mountains<\/i><\/b><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">New Jersey Repertory Company; <\/span><b><i>Perilous Night<\/i><\/b><span style=\"font-weight: 400;\">, Nimbus Theatre, Minneapolis, <\/span><b><i>Seven Joys<\/i><\/b><span style=\"font-weight: 400;\"> (part of <\/span><i><span style=\"font-weight: 400;\">The Bomb: A Partial History<\/span><\/i><span style=\"font-weight: 400;\">, Tricycle Theatre, London);<\/span> <b><i>Wood for the Fire<\/i><\/b> <span style=\"font-weight: 400;\">(part of <\/span><i><span style=\"font-weight: 400;\">The Great Game<\/span><\/i><span style=\"font-weight: 400;\">, Tricycle Theatre, London);<\/span> <b><i>Great Falls<\/i><\/b><span style=\"font-weight: 400;\">, Humana New Play Festival of the Actors Theatre of Louisville; <\/span><b><i>A Body of Water<\/i><\/b><span style=\"font-weight: 400;\">, Tyrone Guthrie Theater and The Old Globe; <\/span><b><i>Lonesome Hollow<\/i><\/b><span style=\"font-weight: 400;\">, <\/span><b><i>Flag Day<\/i><\/b><span style=\"font-weight: 400;\"> and <\/span><b><i>Whores<\/i><\/b><span style=\"font-weight: 400;\">, Contemporary American Theatre Festival; <\/span><b><i>The Scottish Play<\/i><\/b><span style=\"font-weight: 400;\">, La Jolla Playhouse; <\/span><b><i>Black Sheep<\/i><\/b><span style=\"font-weight: 400;\">, Florida Stage and <\/span><b><i>The Winning Streak<\/i><\/b><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">George Street Playhouse.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Other plays include <\/span><b><i>The Family Line, Minneapolis<\/i><\/b><b><i>\/<\/i><\/b><b>St. Paul<\/b><span style=\"font-weight: 400;\">,<\/span><b><i> Uncle<\/i><\/b><span style=\"font-weight: 400;\">,<\/span> <b><i>The Hourglass Project<\/i><\/b><span style=\"font-weight: 400;\">, <\/span><b><i>Independence, Riches<\/i><\/b><span style=\"font-weight: 400;\">,<\/span> <b><i>Oldtimers Game<\/i><\/b> <span style=\"font-weight: 400;\">and <\/span><b><i>Nice People Dancing to Good Country Music<\/i><\/b><span style=\"font-weight: 400;\">.\u00a0 Adaptations include: <\/span><b><i>Courting Harry<\/i><\/b><span style=\"font-weight: 400;\">, from \u201cBecoming Justice Blackmun\u201d by Linda Greenhouse, premiered at History Theatre.\u00a0 <\/span><b><i>Heaven\u2019s My Destination<\/i><\/b><span style=\"font-weight: 400;\">, from Thornton Wilder\u2019s 1935 novel, premiered at the Cleveland Play House.\u00a0 Profile Theatre in Portland, OR devoted an entire season to Blessing\u2019s work.\u00a0 In October, 2011 Tricycle Theatre in London produced a revival of <\/span><b><i>A Walk in the<\/i><\/b> <b><i>Woods<\/i><\/b><span style=\"font-weight: 400;\">.\u00a0 Additional awards: The Steinberg\/American Theater Critics Association Award and Citation, the L.A. Drama Critics Award, The Great American Play Award, The Humanitas Award and the George and Elisabeth Marton Award among others. Nominations for Tony and Olivier awards, as well as the Pulitzer Prize.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For a dozen years Blessing headed the graduate playwriting program at Mason Gross School of the Arts, Rutgers University.\u00a0 He is married to playwright and TV writer-producer Melanie Marnich and currently lives in Los Angeles.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2016 McFarland &amp; Co. published. <\/span><i><span style=\"font-weight: 400;\">The Theater of Lee Blessing, A Critical Study of 44 Plays<\/span><\/i><span style=\"font-weight: 400;\">, by Philip Zwerling.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Blessing is a current member or alumnus of the Writers Guild of America, west; the Playwrights\u2019 Center in Minneapolis; New Dramatists in NY and the <\/span><i><span style=\"font-weight: 400;\">Societe des Auteurs et Compositeurs Dramatiques<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>Website: <a href=\"http:\/\/www.leeblessing.com\">www.leeblessing.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Plays Written by Lee Blessing THE FAMILY LINE MINNEAPOLIS \/ ST. PAUL Synopses: The Family Line &#8211; \u00a0Finn\u2019s mother has<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":495,"menu_order":58,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-11735","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/pages\/11735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/comments?post=11735"}],"version-history":[{"count":4,"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/pages\/11735\/revisions"}],"predecessor-version":[{"id":16026,"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/pages\/11735\/revisions\/16026"}],"up":[{"embeddable":true,"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/pages\/495"}],"wp:attachment":[{"href":"https:\/\/www.bretadamsltd.net\/content\/wp-json\/wp\/v2\/media?parent=11735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}